A few months ago, I was commissioned by BBH Asia Pacific to do research test shots on a campaign they were creating for a beer brand. The scenario was a group of friends hanging out in a bar after work, and the look they wanted was relaxed, casual, natural and in classic black & white. So for a day, they brought down a few of their colleagues at work for a couple of hours of drinks and nice conversation. I initially directed where and how they would sit, and let them be – and there I was like a fly on the wall, moving around discretely, looking for a good angle to capture good moments. Sort of what I do in the streets… except here I’m able to give some quick directions here and there.
It was in this shoot that I appreciated the value of using live view. I used a Nikon D600 with a Nikkor 85mm f1.4, composing and shooting mostly through the LCD. This allowed me to shoot at a lower angle and perspective, and more importantly, it made me more discrete. After the shoot, one of the subjects told me she didn’t even notice me taking pictures. Shooting through live view made me look like I’m just there observing :)
At the end of the day, I was pleased with the images I came up with, and they had fun having a beer and good conversation with colleagues. It was a pretty cool shoot.
Big thanks to Brell, Dave, Miguel, Dom, Ara, Bassam and Simon. You guys are awesome :)
I love shooting in the rain. If it's a weekend and it's raining, you'll probably see me with an umbrella on one hand, and my camera on the other, walking (sometimes running) around Orchard Road taking photos of strangers as they run from one mall to another. Often times, it's…
I miss shooting in the rain. It's been a while since I last walked around in heavy downpour, holding my umbrella on one hand and my camera on the other. I miss it so much that every time rained and I'm stuck in the office, I can't help but think…
While I was working on my Portraits of Strangers project last year, I got an email with the subject: "Hey there... a mail from Ad-Land in Singapore." Much to my surprise, the email was from Steve Elrick, Regional Executive Creative Director of BBH Asia Pacific. He came across my portraits…
Last September 2009, Fleecircus and I started a project to create a collective portrait of the different personalities you can find in the streets of Singapore. Equipped with 2 cameras, a mounting board, and a bit of determination, we walked around Orchard Road, picked out one face after another, and…
I was commissioned by Havas Worldwide Singapore to shoot portraits of 3 volunteers from Youth Corps Singapore for their print ad campaign. The look-and-feel of the images needed to be natural and authentic, raw and in black & white - real people with real stories. The ad is a call…